For the first time in our lives our mother’s house on Hillendale Drive is dirty. She’s been on a walker for years and can’t bend at the hip but still won’t allow my sisters and me to bring someone in. We do it anyway.
In Chantal Akerman’s work the element of paradox is everywhere, fractal, supreme. In this she is an artist of her time and place and perhaps most emphatically her gender: Born in Brussels in 1950 to Polish Holocaust survivors, Akerman’s is...
Sitting on a cot in the emergency room, I filled out paperwork certifying myself as the responsible party for my own medical care—signed it without looking, anchoring myself to this debt, a stone dropped in the middle of a stream.
Journalists are synthesizing for a popular audience what historians have long known: Free women make their way in the world, availing themselves of new technologies and economic opportunities as they go. Girls—they’re just like us!
I’m looking for poetry I can’t resist. Poetry that arrests me, reads me its riot act, signals my rights, detains me with its linguistic and thematic force (high volume or seductively subtle), and liberates me with a subtext of human...
The summer of 1989, shortly after my second husband and I married, we buckled my two daughters, who were seven and three, into the rear seat of a used car purchased for cash. We told no one where we were going. We meant to disappear.
I can remember the way he ripped the pages out of my notebook, wadded them into a dense ball, and said, in a voice free of emotion, “False Image,” as if that was all they were.
Claudia Emerson, who died in December 2014, had come to be known as a poet capable of revealing startling discoveries inside quiet, quotidian circumstances. Her poems are set mostly in Southern rural and small-town scenes, moments in...
