We have come together, the Board Chair begins, for obvious reasons. In a time of great division, this table— he raps his knuckles against the oak for emphasis
With the right sponge and brush, you could / paint these walls to look like marble. In the two-story / foyer, the previous owner left a giant painting / of southwestern pots.
Absent bounty, anarchic and asymptotic, / Bedlam banked as beauty, captive cuckolding / Capital and its camel-faced captor, master, the / Devil is in the dove’s details
A is for almost, arriving, my father’s death. / B is for bear, which he does and does not do. / C is for care and critics and leaving them to their caskets.