Hockney’s entire production over the three decades since 1982 has been shadowed by death and in many ways can be seen as a direct response to all of that dying—a defiant celebration of life (“Love life!”) in the face of annihilation, the...
Being called an iconoclast today is more a badge of honor than it was half a century ago when Merwin chose to break with poetic tradition. For our fall issue, VQR features men and women, past and present, who jolted society with the shock...
Once, more than half a century ago, he was the handsomest man in the world. A radiant man. It was a matter of bearing, of voice and gesture and timing. He had that high, buttery baritone, nothing special really, except, he says, “I knew how...
Offered up by blurbers with the best of intentions, the immediacy implicit in the description like a novel suggests that the book on hand can be engaged with as art rather than as fact, so realist it’s not real; a story rather than the...
The three-stone fire remains nearly universal among the 3 billion people who rely on solid biomass fuels like firewood, charcoal, and dung. But the three-stone fire is hellishly inefficient, transferring as little as 10 percent of the...
Once the fastest-growing city in America and its fourth largest, the cradle of Motown music is now the country’s leader in urban decline. Its population peaked in 1950; since then, it has lost nine of ten manufacturing jobs and 63 percent...
The title of Ron Rash’s compelling new collection of stories, Nothing Gold Can Stay, comes from Robert Frost’s evocative poem pondering the bittersweet knowledge of life’s impermanence.
